- Liz wells photo reader series#
- Liz wells photo reader tv#
Curator, Chrystel Lebas and Sofija Silvia, Conversations on Nature, Museum of Modern and Contemporary Art, Rijeka, Croatia, June/July. Curator,John Kippin and Chris Wainwright, FUTURELAND NOW, Laing Gallery, Newcastle, Autumn. 
Curator, Landscapes of Exploration, recent British art from Antarctica, Peninsula Arts Gallery, Plymouth, February/March, and on tour (Scott Polar Research Institute, and Ruskin Gallery, Cambridge, October - November 2013 University of the Arts, Bournemouth, January-February 2015). Brussels, Centre des Beaux Arts, June – September 2012 GuestCurator, Sense of Place, contemporary landscape photography. Curator, Light Touch, Baltimore Washington International Airport, facilitated by Maryland Arts Place. Curator, Flow, time, movement, change, Sichuan Fine Art Institute and Gallery 501, Chongqing, November 29 – December 26 (tour,Jia Jialing Gallery, Nanchong City, January 2015). 2001 conference paper, Why Pictures Now? - uses of photography, Bunkier SztukiKrakow, Poland. Liz wells photo reader tv#
Public lecture,broadcast TV interview also workshop at SE Asian Institute of Photography
2004 Chobi Mela 3, Photography Festival, Dhaka, Bangladesh. 2011 (June), contribution to symposium ‘Chrystel Lebas and SofijaSilvia, In Conversation’,Rijeka, Croatia. 2011 (October), keynote talk, symposium, Tallinn Photography Festival, Estonia. He was a co-founder and Chairman of the Valencian Association of Artists AVVAC and has been a member of the groups Ex-Amics de l’IVAM, Ciutadans per una cultura democràtica i participativa and Amparo Civil. He collaborates with a number of cultural magazines and has published and given lectures on critical art, culture and participation, urban planning, image and visual culture, the rights of artists, etc. He works in a number of disciplines (from the production of images to written text), proposing a reflection on the instrumental uses of the image as well as the social and political function of art and culture. NACHO PARÍS, artist, theoretician, and activist. She is Professor in Photographic Culture, Faculty of Arts and Humanities, Plymouth University, UK, and co-convenes the research group for Land/Water and the Visual Arts ( She is an elected member of the Board of Directors, Society for Photographic Education. Exhibitions as curator include: Light Touch, Baltimore Washington International Airport (February 12 th – June 21 st 2014) Futureland Now – John Kippin, Chris Wainwright (Laing Gallery, Newcastle, September 15 th 2012 – January 20 th 2013), Sense of Place, European Landscape Photography (BOZAR, Brussels, 14 th June – 15 th September 2012), and Landscapes of Exploration (British art from Antarctica, Plymouth, February/March 2012 Cambridge, October/November 2013 Bournemouth, January/February 2015). Publications on landscape include Land Matters, Landscape Photography, Culture and Identity (2011). She edited The Photography Reader (2003), and Photography: A Critical Introduction (2015, 5 th ed.) and is a co-editor for photographies, Routledge journals. Liz Wells writes and lectures on photographic practices. 
Liz Well, Bleda y Rosa and Nacho Paris will launch the book and engage in a conversation with the artists after the presentation.Īctivity in Collaboration with the Master in Photography at the UPV and Fundació Per Amor a l’Art. Texts by Liz Wells, Paola Cortés-Rocca and Nacho París reflecting on landscape, history and philosophy, accompany the projects.
Liz wells photo reader series#
Bleda y Rosa: a book that collects the complete series of the work. Geografía del tiempo, Bombas Gens Centre d’Art, Museo de la Universidad de Navarra and Centro Galego de Arte Contemporánea have produced the publication Campos de batalla. On the occasion of the exhibition Bleda y Rosa. LAUNCH OF THE PUBLICATION Campos de batalla.
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